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傻瓜書日於 2022 年啟動第二階段閱讀東南亞踏查，將眼光放遠到東南亞四座新城市：印尼萬隆、柬埔寨金邊、馬來西亞吉隆坡與新加坡。
Reading SEA 2022 年度線上專題介紹四位影像創作者、獨立出版人：以 Risograph 印刷實驗書籍製作的新加坡獨立出版社 Temporary Press 設計師雙人組 Gideon Kong 與 Jamie Yeo；擅以書為媒介探索影像內在結構的馬來西亞藝術家郭靜潔；以攝影與出版關注地景與國族的柬埔寨藝術家 Lim Sokchanlina；以及，從閱讀行為出發、翻玩出版形式的印尼藝術出版社 Further Reading Press 主理人 Januar Rianto。
2025 年我們推出四篇新訪談，聚焦於兩處兩東南亞的藝術書展，東南亞最早開始的新加坡藝術書展，以及而今剛滿五年的吉隆坡藝術書展；接著引介兩位藝術家與製書人，新加坡藝術家李長明與泰國藝術家 Pam Virada，他們自影像出發，延伸到紙上與實體空間之中，經年累月的轉化與思索使人無法移開視線。
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About Reading SEA Online Editorial Coverage
In 2022, Fotobook DUMMIES Day began the second phase of its Reading Southeast Asia field research, widening its gaze toward four new cities in the region: Bandung, Phnom Penh, Kuala Lumpur, and Singapore.
The 2022 Reading SEA online editorial introduced four photography practitioners and independent publishers: Gideon Kong and Jamie Yeo, the Singapore-based design duo behind Temporary Press, whose practice experiments on Risograph printing on book making; Malaysian artist Minstrel Kuik who explores the inner structure of photography by using artist's books as a medium; Cambodian artist Lim Sokchanlina who investigates on the ideology of landscapes and nations through photography and publishing; and Januar Rianto, director of Indonesian art publishing house Further Reading Press, who plays with various publishing forms from the act of reading.
In 2025, we are sharing four new interviews that circle around two art book fairs in Southeast Asia: the Singapore Art Book Fair, the region’s earliest, and the Kuala Lumpur Art Book Fair, now five years in. We then turn to two artists and bookmakers—Singapore-based Lee Chang Ming and Thai artist Pam Virada—whose practices move from images to paper and into physical space. Shaped by years of slow transformation and reflection, their work invites a lingering gaze.